{"id":77,"date":"2018-04-28T14:25:57","date_gmt":"2018-04-28T12:25:57","guid":{"rendered":"http:\/\/kaoz.dimoraoz.it\/?post_type=phort_post&#038;p=77"},"modified":"2018-05-11T13:02:01","modified_gmt":"2018-05-11T11:02:01","slug":"esercizi-rudimentali","status":"publish","type":"phort_post","link":"https:\/\/kaoz.dimoraoz.it\/?phort_post=esercizi-rudimentali","title":{"rendered":"Esercizi Rudimentali"},"content":{"rendered":"<p style=\"text-align: left;\"><strong>Esercizi Rudimentali<\/strong> is a listening device introduced by informal performances, spatial practices<br \/>\nand exercises dedicated to the relationship between sound, space and body.<br \/>\nIt addresses anyone interested in using the body as a tool for listening, searching and extending<br \/>\nthe perception and motion capacities while relating to sound and space. Through simple<br \/>\nexperiences of listening and action, the participant is placed in a condition of openness and<br \/>\ninterchange with the ambient and its surroundings; the vitality of sound initially allows to activate a<br \/>\nhabitability of the space that, in flux, is defined by the performer&#8217;s movement.<\/p>\n<p style=\"text-align: left;\"><strong>Esercizi Rudimentali<\/strong> consists of active listening exercises that are meant, through observation,<br \/>\nto investigate the relationship between the performer and the acoustic phenomena, the production<br \/>\nof sound and the structure of the body as a function of sound, while returning mobility and intensity<br \/>\nto the experience itself so as to improve the participants\u2019 attentive structure and broaden their<br \/>\nlistening methods.<\/p>\n<p style=\"text-align: left;\"><strong>Enrico Malatesta<\/strong>, Percussionist. Dedicated to experimental research areas among music,<br \/>\nperformance and site-specific actions; his practice explores the relationship between sound, space<br \/>\nand movement with particular attention to listening methods, affordances of instruments and<br \/>\npolyrhythm, intended as a definition of multiple information through an ecological and sustainable<br \/>\napproach to percussion play.<br \/>\n<span class=\"_4n-j _3cht fsl\" data-testid=\"event-permalink-details\"><span class=\"text_exposed_show\"> <a href=\"https:\/\/l.facebook.com\/l.php?u=http%3A%2F%2Fwww.enricomalatesta.com%2F&amp;h=ATOyKi3wxdmJ7XI1ysB3JRT0tv82WfFDKT5G8iCwE6s37E1ax9U2t_VwTx5wDN5unAxtilWq9eTb11fvdbLuyD9L3zdKBZK3O5iziw_uHRRNt0rwNHTk82nsBdX1dMl66YuwJA\" target=\"_blank\" rel=\"nofollow noopener\" data-lynx-mode=\"async\">www.enricomalatesta.com<\/a><\/span><\/span><\/p>\n<p style=\"text-align: left;\">A cura di Sasvati Santamaria e Fabio R. Lattuca<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Esercizi Rudimentali is a listening device introduced by informal performances, spatial practices and exercises dedicated to the relationship between sound, space and body. It addresses anyone interested in using the body as a tool for listening, searching and extending the perception and motion capacities while relating to sound and space. Through simple experiences of listening [&hellip;]<\/p>\n","protected":false},"featured_media":78,"template":"","meta":[],"class_list":["post-77","phort_post","type-phort_post","status-publish","has-post-thumbnail","hentry","phort_post_category-music","phort_post_category-performance","has-thumbnail"],"_links":{"self":[{"href":"https:\/\/kaoz.dimoraoz.it\/index.php?rest_route=\/wp\/v2\/phort_post\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kaoz.dimoraoz.it\/index.php?rest_route=\/wp\/v2\/phort_post"}],"about":[{"href":"https:\/\/kaoz.dimoraoz.it\/index.php?rest_route=\/wp\/v2\/types\/phort_post"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/kaoz.dimoraoz.it\/index.php?rest_route=\/wp\/v2\/media\/78"}],"wp:attachment":[{"href":"https:\/\/kaoz.dimoraoz.it\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}